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Successful black businessman looking at camera celebrating success got promotion. Successful proud black businessman looking at camera celebrating victory got promotion or reward, happy african employee taking congratulations from colleague on professional achievement in office
Close up of businessman handshake intern greeting with promotion. Close up of businessman shaking hand of colleague at office meeting, congratulating with work achievement, boss handshake happy satisfied intern greeting with job promotion. Concept of rewarding
Social buttons thumb up like and red heart background. Social media likes falling background for advertisement, promotion. Social buttons thumb up like and red heart background. Social media likes falling background for advertisement, promotion, marketing, internet, SMM, CEO – for stock
Cinematic artwork
A reporter stands in the foreground while a photographer is in the background. The characters are sheltering under their umbrellas whilst the rain is pelting down and pours of their umbrellas. This painting is so ambiguous it leaves a lot to the viewer’s imagination.
Alongside such noteworthy instances, Efendi also notes some lesser-known, obscure, and arcane parallels like the painting Lamentation of Christ (1475-90) by Andrea Mantegna in the film The Return (2003) by Andrey Zvyaginstev and painting Over the Town (1918) by Marc Chagall in the film Sexy Beast (2000) by Jonathan Glazer, that are much newer discoveries or analyses.
“The Birth of Venus” (1484-1485) has greatly influenced popular culture. The most well-known tribute is certainly the iconic scene from Terry Gilliam’s film “The Adventures of Baron Munchausen” (1988). The director takes Botticelli’s depiction and transposes it into a larger-than-life seashell, containing the goddess interpreted by Uma Thurman.
Classic artwork
Critics argue whether the “primitive” style reflects “accidental profundity” or satirical intent. Its flatness accentuates emotional resonance as with his other jungle scenes. Rousseau claimed it as his favorite work. Pablo Picasso later threw a banquet in Rousseau’s honor, cementing avant-garde admiration. Through its enigmatic spell and confrontation with uncertainty, The Sleeping Gypsy still echoes Rousseau’s creative maxim – “we cannot begrudge our share of the unknown”.
This vibrant outdoor view painting is a stunning work of art, depicting the viewpoint of a carefree observer who enjoys the pleasures of his environment without moral concern. It echoes Van Gogh’s sentiment that “the night is more vibrant and vividly colored than the day,” as he put it. The color is brighter, and the attention is pulled to the steep edges of neighboring sections, which form irregular patterns that fit together like a jigsaw puzzle.
Diana K is a visionary dreamer hailing from Nairobi, Kenya (The Green City in the Sun) who weaves together passions, experiences, with an unquenchable thirst for storytelling. She finds inspiration in the diversity of life with a focus on history, travel and attractions, cities, people and the natural world. Her interests stem from a profound belief that every story has the power to captivate and resonate. Diana is a lifelong student of Social Sciences and Human Resource Management bringing not only in-depth research to the craft but also a genuine love for the written word. Her journey into the realm of words was sparked by the solitude of Covid-19.
Picasso’s radical painting fractured European aesthetics into shards and angles that came to define modern art. Inspired by African tribal masks, its five abstracted sex workers shocked Paris with their raw angularity and emotional violence – traditional technique and beauty overturned utterly.
Michelangelo’s fresco The Creation of Adam, which adorns the ceiling of the Sistine Chapel in the Vatican Palace, is the fourth of the nine famous art pieces of the central composition dedicated to scenes from the Book of Genesis. The fresco illustrates an episode of the first human being creation by God. In addition to depicting ideal human forms, the fresco is one of the first attempts in the history of art to depict the God himself.
